Sixth Grade Wonders: Drumbeat of Freedom, Unit 1 Week 2

 This Reading-Writing Workshop selection in Unit 1, Week 2 is a strong story. When I used it in a co-taught setting, though, I needed to add some more activities to allow for differentiation and some small group meetings. Over several years I added and refined these activities. Here they are, ready for you to use in your own classroom this year!

Speed Drill, Multiple Choice Questions, and Story Map

I still like using speed drills to increase student automaticity and fluency. Not only do speed drills help students to recognize words, but they also give us a chance to talk about word meanings that might be new for them.

I also wrote some multiple choice questions in the style of the questions used on the Weekly Assessments. These questions proved useful for small group work, as we could talk together about the questions and possible answers. Students are much more willing to share their thinking when talking to five others as opposed to talking with the entire class! For the Part A and Part B questions, I learned that some of my students really didn't know what to look for, and this allowed me to target instruction to help them with this.

Finally, I added a story map and list of events for students to work on. I really like giving students lists of events from a story to read and sequence. No matter what the age, this activity helps students to think about how a story unfolds. Students can also use the given events to help them write a short summary of the story, or create an illustrated plot diagram.

If you try these out, be sure to write a note and let me know!

Comparing Poems: A Look Back

 Time Warp: I originally wrote this blog post more than 10 years ago! As I was looking over past posts, I realized that I worked with the ideas in this post over this past year.

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As the last part of our quick unit on figurative language and poetry, the students and I spent the last week looking at how to compare poems and write paragraphs to share our comparisons.

Whew. It's a difficult process for students. On the one hand, students often spontaneous make comparisons as we move through poems--"That one reminds of me of..." or "This is just like..." However, to write successful comparison paragraphs, students need to learn how to do more thoughtful, thorough comparisons.

Using a chart
A chart is essential for helping students to compare poems. Sometimes people try to use Venn diagrams for this purpose. Venn diagrams are great for set theory and fun visual gags...but terrible for planning writing! A chart sets up the important criteria for what is to be compared. Because testing season is coming up, I told students that they won't be able to use a prepared chart for our state tests, but that they can make their own comparison charts.

It's interesting to watch students use the chart. When I model this for struggling readers, I work with one poem at a time. This kind of careful reading and analysis takes a lot of concentration, and struggling readers often have trouble with the attentional shifts needed to go back and forth between texts. On the other hand, strong readers often prefer to work in the opposite way. They thrive on the extra challenge of going back and forth between texts and often create strong insights, seeing differences in the ways that the author developed the topics. (2024 update: As I work with gifted and enrichment students, I now see how much our strong readers love to work on topics like this! It's an easy way to add differentiation.)

Do we have to fill out the whole thing? That's the beauty of it--I tell students that we only need to fill in 4 or 5 blocks. We look for the criteria that are the most interesting for the poems that we have. Interestingly, kids always like to fill in the block for figurative language and sound devices!

Scaffolded response frame
A scaffolded response frame is useful for students who are still learning compare and contrast structure. Let's face it--this describes just about every elementary school writer! A nice middle level of scaffolding is to project the scaffolded response, but have students write their own responses.

Is it formulaic? Yup. Does it lead to scripted, formulaic writing? Some of the responses on the last assessment were the best that I've seen. Helping students with the topic sentence and the transitions freed up some processing space for them to do some deeper thinking about the texts. Kids used quotation marks to show where they were quoting from poems, using specific details, coming up with similarities that I hadn't considered. These are good things! (2024 update: When I did a similar activity with a group of gifted students, I expected that they would chafe against the formula of the frame. Nope! They wanted the frame even more than other students.)

Choosing Poems
This is the hardest part. It's tempting to stick with poems that have the same topic. But even poems with the same topic don't always make the best comparisons. Last week I chose two hawk poems. The whole lesson fell kind of flat--besides the same topic, the poems didn't really have anything interesting or compelling enough about them to spend a great deal of time talking about.

Two poems that worked very well were "Hello, Moon!" by Patricia Hubbell (found in Hey, You!: Poems to Skyscrapers, Mosquitoes, and Other Fun Things) and "The Moon's the North Wind's Cooky" by Vachel Lindsay. These poems both explored the changes in the moon in an interesting way, with lots of differences in the use of figurative language and structure to talk about.

(2024 note: To differentiate this for my enrichment students, I gave them poetry books and let them choose the poems to compare. This gave them a purpose to strategically read many poems and talk about them together.)

Comparing poems was an interesting and rigorous way to end our study of poetry...but I do think that we are all ready to go on to text structure next week!

Math Jigsaw Problems

 This year, I've been working with math enrichment groups in addition to my regular gifted classes. In math enrichment groups, I pull 10-20 students from a grade level to work on math problems together. It's a lot of fun, but not without some challenges.

One challenge is that the students are often very quiet! I know that some classroom teachers with chatty classes would see this as a very privileged kind of problem. However, when my goals for the enrichment session include getting students to construct and share viable arguments, this silence can be deafening. The students would be quiet for several reasons. Taken from different classes, they often didn't know each other very well. Some of the students would want to work quickly on their own, while others were more tentative. 

A colleague gave me a copy of the book Get it Together: Math Problems for Groups, Grades 4-12. This book has some great problems and worked well for my older students. However, cutting out the problems is a chore! I decided to create some of my own jigsaw problems.

Here's the idea:

• Problems are basic logic matrix problems, with coin amounts and change to add a math component
• Each student only gets one clue, requiring the students to talk together to solve
• A final problem challenges students to create their own clues
  
  
  

You can find a single problem here: Single Problem Jigsaw Problem Solving.

For all four problems and an answer key, click here: Jigsaw Problem Solving for Math Enrichment.

Teaching Tools and Texts

 I'm publishing text-only versions of some of my favorite texts that I've authored over at my new blog! Stop by to read some texts and see where to get the formatted and student-ready versions...or just print them and use them as they are. 

Hope to see you there!

https://teachingtoolsandtexts.blogspot.com/

Figurative Language in Expository Text

 Do your students struggle to analyze figurative language in expository text? Mine certainly do! For intermediate readers who are already having trouble with content-specific vocabulary and new concepts in expository text, analyzing figurative language is yet another big challenge. 

But being able to understand how and why authors are using this figurative language is vital for deeper comprehension. Often, a single simile is used to convey a big idea about a new topic. Examples of personification are used to show nuances. A pithy metaphor in the introduction pops up again in the conclusion. In all of these instances, being able to identify and understand the figurative language adds to the deeper meaning.

Sometimes, well-meaning teachers spend too much time in the identification phase and not enough time in the analysis phase. It's easy to see why! Struggling students can pick out the words "like" or "as" and say with confidence, "That's a simile." It feels like you are being successful. However, when asked to analyze similes, these same students might fall back on using the exact same words from the text instead of elaborating on the simile and putting it in the context of the key concepts from the text.

Here are some things to keep in mind as you plan to analyze figurative language in expository text.

And, if you'd like a ready-made resource perfect for sixth graders, try this: Figurative Language in Expository Text. Available as a printable and digital resource, this text includes practice with analysis, a fluency activity, and more. It is the perfect supplement to Wonders Sixth Grade Unit 1, Week 4.

Quick Reading Assessments

 

The start of the new school year is almost upon us! My classroom exists in a perpetual state of chaos and disorder!

While it's hard to leave those lazy mornings and sunny afternoons behind, it is exciting to think about preparing for my new group of students. Once I clear a space in my new (smallish) room and figure out my schedule, these are the go-to assessments that I will pull.

Summarizing Narratives

   Learning about how our students process and summarize narratives is a good first step. A student's summary yields a wealth of knowledge about how they approach reading stories, how they understand story structure, and whether they are reading at the local level (looking at individual sentences) or at a global level (thinking of the text as a whole). 

    The problem with student summaries is that they take a long time for students to write, and they take a long time for teachers to read! I've streamlined the process by creating a checklist with key events and ideas from the text. This checklist makes assessing summaries much easier...and makes it possible to share the task with a co-teacher or an instructional assistant. This year, I'm planning to use these tasks for progress monitoring with my enrichment students.

QRI

    I love using the QRI as a quick assessment! The flexibility of using narrative or expository text really adds to the picture of what a reader can do. If you're not familiar with the Qualitative Reading Inventory, the book is a series of short texts and questions for readers of different levels. First, use the word list to get an idea of how students read words out of context. Then, select a text for the student to read, doing a running record as you go, and then ask the student 6-8 questions about what they read. The questions are split into inferential and explicit questions, which adds another layer of nuance into the interpretation of results.

    Now...the manual has lots of directions for getting even more specific with your scoring, but I can do a quick version of the assessment in about 15 minutes. My trick is to split up the word reading and passage reading over multiple days. I have students read aloud from the word list on one day, then score and pull passages for the next day. This helps me to keep my file crate of materials in order! For many students, I skip the retelling portion (after all, I'm scoring summaries!) and set them up for look-backs from the start. Looking back to the text is a skill that I want to encourage, after all!

    The best part of the QRI is how knowledgeable you can sound when talking with other teachers and parents. "This student reads really well with words out of context, and shows a wide range of word-solving skills. When they're reading the text, however, they have trouble with word-solving," or "Wow! This reader does wonderfully with narrative passages that have familiar content. When faced with an unfamiliar topic, though, they have great difficulty, even when new concepts are explained in the text." This is actionable information obtained in a quick, positive session.

Reading Intervention for Fluency, Academic Vocabulary, and Nonfiction Text Structure

      This product has been a labor of love. Back in 2010, I wanted to put together a research-based set of activities for classroom teachers working with intermediate level readers. I wanted materials that would focus on academic vocabulary and nonfiction text structure, with lessons that were easy enough to add to an already full schedule and materials that were ready to be copied. Most importantly, I wanted to create something that would be inexpensive for classroom teachers. After months of work, I created this:

Reading Intervention for Fluency, Academic Vocabulary, and Nonfiction Text Structure.

     I worked this summer to freshen up the materials to make them even easier for classroom teachers, adding answer keys, PDFs, and better formatting. More than ten years after I wrote it, I'm still proud of the features!

The texts

    In this set, the texts are science-based, with topics ranging from poison ivy to bluebirds to caverns. I worked with topics that are adjacent to key science topics, often inspired by my visits to area museums, science centers, and parks. 

Academic Vocabulary

     Academic vocabulary is essential for unlocking the meanings and nuances of nonfiction texts. In certain reading series, I've noticed that the vocabulary words are jammed into texts, resulting in some odd usages and questionable sentences. Instead of doing this, I wrote the texts, and then searched them for academic words from Averil Coxhead's Academic Word List and other academic word list sources. 

     Engaging students in learning academic vocabulary is important. In my experience, building playful experiences in which students use the words to answer questions works well! I created a PowerPoint presentation for each text in which the words are introduced. These presentations include photos and questions to help students interact with the words, see them repeatedly in print, and use them in sentences. 

Fluency

     Is fluency broken? I kind of think so. I'm not sure that it has the prediction power that it once held. (Read more here.) Nevertheless, I still value time spent in helping students to read aloud with accuracy and expression. Each text in this intervention set includes a phrase-cued text for students to read and a fluency progress monitoring page.

     I love phrase-cued texts because they help students to see how sentences can be chunked for easier reading. Phrase-cued texts also support students in understanding sentence chunks for my favorite grammar activity, sentence unscrambling! 

     Fluency readings are a great way to talk one-on-one with a student and get a better idea of how they are word-solving. When I do fluency readings with students, I emphasize that the timing is just one part of the reading, and that I also want to hear what they can do with expression and word-solving. At the end of the reading, I give the student a compliment ("I notice that you took the time to figure out the word vanished.") and choose a quick teaching point to discuss with the student. Sometimes we look at the pronunciation of a word, and sometimes we focus on expression within a sentence. The next time that I work with the student, we review what we talked about previously.

    I created fluency passages for each of the texts in this intervention. Fluency passages are also a great way to involve parent volunteers or instructional assistants in your reading intervention. Most adults enjoy the opportunity to work individually with students.

Nonfiction text structure

     Many readers in grades 4-6 are still reading at the "local level"--that is, they're focusing on individual words and sentences within a passage without building a model of the passage as a whole. Understanding text structure and using graphic organizers to represent details can help students to move beyond the local level and develop a global model of the text.

     Each text in this series includes a graphic organizer to represent the big ideas and important details in the text. Students can then use these graphic organizers to help them write a summary of the passage as a whole.

Multiple choice questions

      While these were not part of the original program, I decided to add them as I was using the program with my own students. Each passage has 4-5 questions, along with an open-ended response prompt. 

Working on this intervention has been a bit of a passion project for me, and it's been gratifying to see so many positive reviews. Here's to another 10 years of academic vocabulary, fluency, and text structure!