Showing posts with label CCL. Show all posts
Showing posts with label CCL. Show all posts

Saturday, November 8, 2014

Teaching Point of View: Beyond Identification

Over the past two weeks, I have been working with point of view in my classroom. What an interesting endeavor it has been! I have found myself looking at stories, my instruction, and my classroom in new ways as I have thought about the standards and how to help my students understand point of view.

The standards
In the Common Core standards for fourth grade, students need to "compare and contrast the point of view from which different stories are narrated, including the difference between first and third person narrators." This standard is pretty comprehensive! Not only do my students need to be able to identify first and third person narrators, but they also need to explain how narration techniques impact a story.
This is a pretty tall order for students who are still having trouble separating content from structure.

Identification
Of course, the first part (and the easy part!) is to teach students how to identify different points of view. I first wrote about this two years ago, in "Teaching Point of View".  This year, I made a PowerPoint presentation to introduce the topic for students:




Side note: I know that everyone in the technology world hates PowerPoint. But I love using this medium to highlight different aspects of text. Putting large text on the screen for everyone to see and talk about gets students engaged. Adding interesting pictures makes the conversations even better!

Simple introductions
I have some go-to books for introducing point of view. Bigmama's and Shortcut, both by Donald Crews, are two of my favorites. These include the first-person pronoun "we", which is important for students to see, and are quick reads. I also read Instructions by Neil Gaiman, which is told in second person. For each story, we talked about the point of view and how we could figure it out from the pronouns used in the book.

Looking back at familiar stories
After students could identify first and third person with reasonable accuracy, I had to move students to the next level--being able to really consider how the use of different narration styles impacts a story.

To do this, we looked back at the stories that we had already read through the year. This year I have been having students keep each text we use in their reading binder. I love this technique because familiar texts are always at our fingertips, ready for discussion. Students formed self-selected discussion groups, each focusing on one story that we had already read. They had two questions to discuss:

-What is the point of view of the story?
-How does this point of view affect what we know about the characters and the events?

As students talked, I circulated to hear their conversations. These formative activities are vital for me as a teacher, because it helps me to see what knowledge is in the classroom. From this conversation, I was able to see that students could identify point of view, but didn't have much to say about how the point of view affects the reader's knowledge. My next steps were clear!

Shifting points of view
One way to help students have this conversation was through read-alouds. Write This Book by Pseudonymous Bosch sparked some interesting discussions regarding first and second person points of view.

I also shared a story written from multiple points of view. A retelling of Stone Soup, this story uses first person throughout, but switches between characters. (I hope to make this story available in the near future. In the meantime, please write to me if you would like a copy.) This style was a challenge for readers! They read it on their own for the first read, and then we assembled together to discuss it. I modeled how to use information in the text to draw the different narrators and characters, which would help us to track the story.

Drawing the narrators had the secondary benefit of helping students to discover that the characters are referred to by multiple names. "Oh, I thought that Louise was a totally different person!" one student exclaimed. I love it when students are able to verbalize their changing comprehension. (For more on multiple referents, you can check out The Forest AND the Trees: Helping Readers to Identify Details in Texts and Tests.)

Next Steps
As we looked at how the characters' thinking changed from the beginning of the story to the end of the story, I came to an interesting realization. In general, my students are having trouble with the role of character thoughts in first person text. They don't see that, in first person narration, a character's thoughts infuse the entire text. When tasked with looking for an example of a character's thinking, they were trying to find an explicit marker like "I thought". This realization is shaping my planning for next week. What can I expect from 9 and 10 year olds? How can I scaffold them to expand their understanding?

Books and More
Thinking about point of view has made me look at every book in a new way. I started a Point of View board on Pinterest to share different books and how they can be used to consider point of view.

Notes
-US Leveled Geography readings are coming! Last year, I wanted to add a social studies component to my fluency instruction. As a result, I wrote texts for each region, carefully leveled at fourth, third, and second grades. So far, I have the Northeast, Midwest, and South prepared. Check them out!
-I've updated formatting on Thanksgiving Reading Activities and Centers.
-January 2015: You can find "Stone Soup" in my new activity set, "Exploring Point of View".





Thursday, September 18, 2014

Conflict and Climax: Thinking about Story Elements

Right now I'm working with teaching about stories and story elements in my classroom. This instruction has shifted a great deal in the last few years. As we've moved to the Common Core, I've taken on many topics that are new to fourth grade (like point of view) and delved more deeply into existing topics, like plot and conflict.

Event Cards

Some activities and strategies remain helpful for fourth graders. For example, I have always liked having students arrange story events. I type the events in a table, cut them out, and ask students to work with partners to put the events in order.


This simple activity shows me so much about what students can do. Sometimes they struggle to put the events in order. I encourage them to look back to the text.

When students don't have trouble putting the events in order, I ask, "Which ones could we leave out?" This prepares students for summarizing, when they will need to select the most important events and leave out events that are not important.

New Applications

This year, I used the sorting activity to frame a discussion about the parts of the story. Students worked with partners to put the events from the story in order. Then, we quickly talked about the climax of the story. This was a new word for many students.

Many typical definitions for climax say that it is the most intense part of the story, or the part that has the most action. Definitions that show climax in terms of "excitement" often set kids up for frustration--after all, many stories do not have an exciting battle! Instead of defining climax in terms of excitement, I told students that the climax is the turning point--when the conflict begins to be resolved.

Believe it or not, this commercial from Chipotle is actually an excellent illustration of this. Notice how the climax is not a grand or exciting battle, but a change of heart:




 After we watched the commercial, we tried to examine where we saw the climax. Partners quickly realized that in order to describe the climax, they needed to have an understanding of the conflict. They tried to hash out whether the conflict was the farmer's use of the land ("Maybe he doesn't have enough food, now that it's winter?" one student guessed) or the farmer's feelings about what has happened.

On the second viewing, they were able to find the climax. One student put it succinctly: "The farmer is like, 'Oh, no, what have I done?'" Another student pointed out that the music reveals the climax: "They give it away! It's in the words of the song!"

Applying learning to text

Students then took their new understanding of climax back to their sorted story events. I asked, "Which event from the story is the climax? Why do you think this?" Students then discussed their ideas...and there was a wide variation of choices.

We were working with a retelling of a fairy tale, "The Miller's Boy". Some students chose events from the beginning of the story, which seemed quite off at first until I realized that they were drawn to what I'd call the initiating event--the event that introduces the conflict of the story. Once I suggested that they look closer to the end of the story, most groups were able to find and support an event that they called the climax. One group noticed that the author (me, but they didn't really know it) had added a secondary conflict related to the character of Tobias. Looking through this lens, the climax came at a slightly different point. I love it when an activity presents several equally plausible answers!

Listening to the conversations was fascinating. I realized that an understanding of plot structure depends on a clear understanding of the conflict of a story. Without knowing the protagonist's goal, readers can't pin events to an over-arching structure. I ended by asking, "What will you do differently when we read our next story? What will you look for? What will you consider?" Some students said they would look for the climax of the story. Others said they would look more carefully for the conflict.

I'm looking forward to our conversations about both.